Chapter 3.49, Verses 31–41

Yoga Vashishtha 3.49.31–41

(These verses show how Kings use magic and illusion to create huge scary armies of ghosts and demons)

श्रीवसिष्ठं उवाच ।

निष्कासितमहाजिह्व नानामुखविकारदम्।

शरभाराढ्यमन्योन्यं ह्रियमाणशवाङ्गकम् ॥ ३१॥

रुधिराम्भसि मज्जं तदुन्मज्जद्धृल्लसत्तनु।

लम्बोदरं लम्बभुजं लम्बकर्णोष्ठनासिकम् ॥ ३२॥

रक्तमांसमहापङ्केष्वन्योन्यं वेल्लनाभ्यसत्।

मन्दरोद्धूतदुग्धाब्धिलसत्कलकलाकुलम् ॥ ३३॥

यथैव मायासंचारस्तेन तस्य कृतः पुरा।

तेनापि तस्याशु तथा कृतो बुद्ध्वा स लाघवात् ॥ ३४॥

वेतालास्त्रं ततो दत्ते तेनोत्तस्थुः शवव्रजाः।

अमूर्धानः समूर्धानो वेताला वेशवल्लिताः ॥ ३५॥

ततः पिशाचवेतालरूपिकोग्रकबन्धवत्।

तद्बभूव बलं भीममुर्वीनिगरणक्षमम् ॥ ३६॥

अथेतरोऽपि भूपालो मायां संचार्य तां गुरौ।

राक्षसास्त्रं ससर्जाथ त्रैलोक्यग्रहणोन्मुखम् ॥ ३७॥

उदगुः पर्वताकाराः सर्वतः स्थूलराक्षसाः।

देहमाश्रित्य निष्क्रान्ताः पातालान्नरका इव ॥ ३८॥

अथोदभूद्बलं भीमं ससुरासुरभीतिदम्।

गर्जद्रक्षोमहानादवाद्यनृत्यत्कबन्धकम् ॥ ३९॥

मेदोमांसोपदंशाढ्यं रुधिरासवसुन्दरम्।

क्षीबकूश्माण्डवेतालयक्षताण्डवसुन्दरम् ॥ ४०॥

कूश्माण्डकोत्ताण्डवदण्डपादक्षुब्धासृगुत्क्षिप्ततरङ्गसिक्तैः।

संध्याभ्ररागोत्करकोटिकान्ति भूतैरसृक्स्रोतसि दत्तसेतु ॥ ४१॥

Maharishi Vashishtha continued:

3.49.31–35

> A huge tongue sticks out and twists many faces in strange ways. The scene is full of arrows and bodies of the dead being pulled by each other.

> They sink in the sea of blood and rise again with shining bodies. These creatures have big hanging bellies, long hanging arms, and drooping ears, lips and noses.

> They roll around together in thick mud made of blood and flesh. The noise is loud like the milky ocean being churned by Mount Mandara with clashing sounds.

> Just as one ki6ng had earlier used magic to create this scene for the other, the second King quickly did the same back to him, knowing how easy it was.

> Then the Vetala weapon was used. Crowds of dead bodies rose up. Some had no heads, some had heads. The Vetalas twisted around like creeping vines.

3.49.36–41

> The army now became a huge terrifying force like fierce Pishachas, Vetalas and headless Kabandhas. It was strong enough to swallow the whole earth.

> The other kin6g also sent an illusion to his teacher and released the Rakshasa weapon that was ready to grab the three worlds.

> Mountain-sized thick Rakshasas rose up everywhere. They took bodies and came out from the lower world like demons escaping from hell.

> A terrible army appeared that frightened both gods and demons. It roared with Rakshasa cries, loud music and dancing headless bodies.

> It was full of fat and flesh as food and looked lovely with blood as wine. The wild dance of drunk Kushmandas, Vetalas and Yakshas made it beautiful.

> The dancing Kushmandas stirred the blood with their leg-like sticks, throwing up waves that soaked everything. Ghosts with the glow of millions of sunset clouds built a bridge across the river of blood.

Summary of the teachings:

The grotesque pictures of tongues, blood and rolling bodies teach that the mind has the power to make anything appear real. In Yoga Vasistha, this story reminds us that what we see in the world is only a creation of thought, not solid truth.

The rolling in blood and loud noises of the ocean being churned point to the fearful side of life that fear and attachment bring. The teachings say the whole Universe is like a dream or magic show. When we believe in these scary scenes, we suffer; when we see them as unreal, we become free.

Both kings use the same kind of weapons – Vetala and Rakshasa – one after the other. This teaches that illusion works both ways and nothing lasts. The verses explain that good and bad, victory and defeat are all part of the same mind game. True Wisdom is to stay beyond these changes.

The huge Rakshasas and dancing ghosts with blood rivers stand for the endless cycle of violence and rebirth in the world. Yoga Vasistha uses this picture to warn that without Knowledge we stay trapped in horror. The Real path is to wake up and see everything as One Peaceful Brahm.

Finally, these verses guide us to Realize our True Self is untouched by any battle or magic. The armies rise and fall in a moment, just like dreams at night. By understanding this, we drop all fear and live in Pure Peace, knowing the whole world is only an appearance in the One Infinite Consciousness.

Chapter 3.49, Verses 15–30

Yoga Vashishtha 3.49.15–30

(These verses paint a vivid picture of an army made purely from maya or illusion)

श्रीवसिष्ठं उवाच ।

ऊर्ध्वकेशाः कृशाङ्गाश्च केचिच्च श्मश्रुला अपि।

कृष्णाङ्गा मलिनाङ्गाश्च ग्राम्या इव नभश्चराः ॥ १५॥

सभया मूढदृष्टाश्च यत्किंचनकराश्चलाः।

दीना वज्रासिनः क्रूरा दीना ग्राम्यजना इव ॥ १६॥

तरुकर्दमरथ्यान्तः शून्यगेहगृहाश्चलाः।

लेलिहानाः प्रेतरूपा कृष्णाङ्गाश्चपला इव ॥ १७॥

जगृहुस्ते तदा मत्ता हतशिष्टमरेर्बलम्।

आसंस्तत्सैनिकास्तत्र भिन्नास्त्रक्षुब्धचेतनाः ॥ १८॥

त्यक्तायुधतनुत्राणास्त्रस्तप्राणाः स्खलद्गमाः।

नेत्रैरङ्गेर्मुखैः पादैर्विकारभरकारिणः ॥ १९॥

त्यक्तकौपीनवसना निमग्नावसनोत्तराः।

विष्ठां मूत्रं च कुर्वन्तः स्थिरमारब्धनर्तनाः ॥ २०॥

पिशाचराजी राजानं तस्य यावद्विदूरथम्।

समाक्रामति तावत्तां मायां स बुबुधे बुधः ॥ २१॥

पिशाचसंग्रामकरीं मायां वेत्ति स भूमिपः।

तया पिशाचसैन्यं तत्परसैन्ये न्ययोजयत् ॥ २२॥

ततः स्वसैनिकाः स्वस्थाः परयोधाः पिशाचिनः।

तस्याशु रूपिकास्त्रं च ददावन्यदसौ रुषा ॥ २३॥

उदगुर्भूतलाद्व्योम्नो रूपिका ऊर्ध्वमूर्धजाः।

निर्मग्नविकरालाक्ष्यश्चलच्छ्रोणिपयोधराः ॥ २४॥

उद्भिन्नयौवना वृद्धाः पीवराङ्ग्योऽथ जर्जराः।

स्वरूपारूपजघना दुर्नाभ्यो विकसद्भगाः ॥ २५॥

नररक्तशिरोहस्ताः संध्याभ्रारुणगात्रिकाः।

अर्धचर्वितमांसासृक्स्रवत्सृक्क्याकुलाननाः ॥ २६॥

नानाङ्गवलना नानानमन्नमनसत्तमाः।

शिलाभुजगवक्रोरुकटिपार्श्वकराङ्गिकाः ॥ २७॥

नारीकृतार्भकशवा हस्ताकृष्टान्त्ररज्जवः।

श्वकाकोलूकवदना निम्नवक्त्रहनूदराः ॥ २८॥

जगृहुस्तान्पिशाचांस्ता दुर्बलान्दुःशिशूनिव।

पिशाचरूपिकासैन्यं तदासीदेकतां गतम् ॥ २९॥

निर्मग्ननर्तनोत्तानवदनाङ्गविलोचनम।

परस्पराक्रान्तिकरं प्रधावच्च परस्परम् ॥ ३०॥

Maharishi Vashishta continued:

3.49.15–23

> Some had hair standing straight up and thin bodies; some also had beards. They had black bodies and dirty bodies, like ordinary village people flying through the sky.

> They looked fearful with foolish eyes, ready to do anything, and kept moving unsteadily. They were poor, holding vajra swords, cruel, and poor like simple village people.

> They moved through the ends of muddy streets lined with trees and inside empty houses. They licked things like ghosts, with black bodies and unsteady movements.

> Then, in a drunken state, they seized whatever remained of the enemy’s killed army. They became soldiers in that army there, with broken weapons and minds full of worry.

> They had thrown away their weapons and body armor. Their lives were full of fear, their steps unsteady. Their eyes, limbs, faces, and feet created all kinds of strange distortions.

> They had given up their loincloths and clothes, with upper bodies exposed or messy. They passed stool and urine while starting a steady, strange dance.

> The line of pisachas advanced right up to King Viduratha. As soon as it came close, the wise King understood it was only maya, an illusion.

> The king recognized the maya that creates a battle of pisachas. Using that same power, he sent the pisacha army against the enemy forces.

> Then his own soldiers became calm and steady, while the enemy warriors turned into pisachas. In anger he quickly gave them special form-making weapons and another powerful one.

3.49.24–30

> Strange forms rose from the ground up into the sky, with hair standing straight up. They were naked, with terrible eyes, and their hips and breasts kept moving.

> Some were young girls in full bloom, some old and worn out; some had fat bodies. Their hips were sometimes formed and sometimes formless, with ugly navels and blooming private parts.

> They held heads and hands dripping with human blood; their bodies were red like evening clouds. Half-chewed meat and blood flowed from their mouths, making their faces look wild.

> Their limbs twisted in many ways; their minds bent strangely. Their bodies had stone-like arms, snake-like crooked thighs, sides, and hands.

> They had turned child corpses into women; their hands pulled ropes made of intestines. Their faces looked like dogs, crows, or owls, with low mouths, jaws, and bellies.

> They seized those weak pisachas just like bad children. That whole army of pisacha forms then became united as one.

> Naked and dancing, with faces, limbs, and eyes turned upward, they attacked each other and ran wildly towards one another.

Summary of the teachings:

The grotesque beings with standing hair, thin dirty bodies, and cruel looks appear scary and real, yet they are nothing but mental creations. This teaches that the world we see, including enemies and battles, is often just a projection of the mind that looks solid but has no true substance. The comparison to ordinary village people in the sky shows how even everyday things can be twisted into terrifying illusions when the mind is not awake.

The pisachas take over the leftover enemy soldiers in a drunken, chaotic way, turning them into part of their own force with broken weapons and fearful minds. This part shows how illusion can easily overpower those who lack awareness. Without wisdom, people become slaves to fear, distortion, and impurity, losing their strength and dignity. The verses warn that when we do not recognize maya, it spreads and controls us completely.

King Viduratha, being wise, instantly sees through the advancing line of pisachas and understands it as mere maya. This is the key teaching: true knowledge allows a person to stay calm and see the illusion for what it is instead of panicking. The king does not run or fight blindly; his understanding becomes his real power. It reminds us that awareness of the dream-like nature of life is the first step to freedom.

Using the same maya power, the king turns the situation around — his soldiers relax while the enemies become pisachas, and he creates new forms and weapons. This illustrates that an enlightened mind can actually use illusion cleverly for protection or to restore balance, without getting trapped in it. Maya is not always evil; when guided by wisdom, it can be turned into a tool rather than a trap.

Finally, the two illusory armies merge, dance wildly, and destroy each other in mutual attacks. This shows the Ultimate Truth that all opposites and conflicts created by maya cancel themselves out in the end. Nothing Real is destroyed because nothing real was ever there. The verses teach complete detachment: when we see that wars, forms, and fears are only self-made illusions fighting illusions, we rise beyond them to the Peaceful, Unchanging Reality.

Chapter 3.49, Verses 1–14

Yoga Vashishtha 3.49.1–14

(These verses describe a fierce Cosmic battle involving powerful Divine weapons, symbolizing the chaotic and destructive forces within the mind and the Universe)

श्रीवसिष्ठं उवाच ।

ववुर्वलितनीहारा विकीर्णवनपल्लवाः।

वायवो धूतवृक्षौघाः सल्लीलापीडपांसवः ॥ १॥

पक्षिवद्भ्रान्तवृक्षौघाः पतनोत्पातनोद्भटाः।

विकुट्टिताट्टालखण्डाश्चाभ्रभित्तिविभेदिनः ॥ २॥

तेनातिभीमवातेन विदूरथरथोऽप्यथ।

उह्यमानोऽभवन्नद्या यथा जर्जरपल्लवः ॥ ३॥

विदूरथोऽथ तत्याज पार्वतास्त्रं महास्त्रवित्।

व्योमापि घनतोयेन समादातुमिवोद्यतम् ॥ ४॥

तेन शैलास्त्रघातेन विराट् प्राणसमीरणः।

शमं चैतन्यशान्त्येव प्रययौ वायुराततः ॥ ५॥

अन्तरिक्षगता वृक्षपङ्क्तयः पतिता भुवि।

नानाजनशवव्यूहे काकानामिव कोटयः ॥ ६॥

शेमुः सूत्त्कारडान्कारभांकारोत्कारका दिशाम्।

प्रलापा इव विध्वस्ताः पूर्ग्रामवनवीरुधाम् ॥ ७॥

गिरीनपश्यन्नभसः पततः पत्रवर्णवत्।

सिन्धुः सिन्धुरिवोत्पक्षान्मैनाकादीनितस्ततः ॥ ८॥

वज्रास्त्रमसृजद्दीप्तं चेरुर्वज्रगणास्ततः।

पिबन्तोऽद्रीन्द्रतिमिरमग्निदाहमिवाग्नयः ॥ ९॥

ते गिरीणां तथा क्षिप्ताः कोटितुण्डावखण्डनैः।

शिरांसि पातयामासुः फलानीवोल्बणानिलाः ॥ १०॥

विदूरथोऽथ वज्रास्त्रशान्त्यै ब्रह्मास्त्रमत्यगात्।

ततो ब्रह्मास्त्रवज्रास्त्रे समं प्रशममागते ॥ ११॥

श्यामाश्यामं पिशाचास्त्रमथ सिन्धुरचोदयत्।

तेनोदगुः पिशाचानां पङ्क्तयोऽत्यन्तभीतिदाः ॥ १२॥

संध्यायामथ भीत्येव दिवसः श्यामतां ययौ।

पिशाचा भुवनं जग्मुरन्धकारभरा इव ॥ १३॥

भस्मनः स्तम्भसदृशास्तालोत्तालविलासिनः।

दृश्यमानमहाकारा मुष्टिग्राह्या न किंचन ॥ १४॥

Maharishi Vashishta continued:

3.49.1–7

> Winds blew fiercely, carrying swirling mists, scattering leaves from forests, shaking crowds of trees, and raising dust from the ground playfully.

> The winds moved like birds, whirling groups of trees violently, causing them to fall and rise again, breaking towers and shattering mountain walls like clouds.

> By that extremely terrible wind, even Viduratha's chariot was carried away, like a withered leaf floating in a river.

> Then Viduratha, the great knower of weapons, released the mountain weapon (Parvatastra). The sky seemed ready to drink dense water (clouds).

> By the blow of that mountain weapon, the great vital air (prana) of Virat became calm, just as Consciousness becomes peaceful, and the widespread wind subsided.

> Rows of trees hanging in the sky fell to the ground, like millions of crows in heaps of corpses of various people.

> Directions resounded with cries, roars, howls, and shrieks, like the lamentations of destroyed cities, villages, forests, and creepers.

3.49.8–14

> Not seeing the mountains, the sky appeared falling like leaves in color; the ocean rose with wings (waves) from all sides like Mainaka and other mountains.

> He released the shining Vajrastra (thunderbolt weapon), and groups of thunderbolts moved, drinking the darkness of mountains like fires consuming forest blaze.

> Those (thunderbolts) struck the mountains with millions of beak-like cuts, causing heads (peaks) to fall like fruits shaken by fierce winds.

> Then Viduratha, to pacify the Vajrastra, resorted to the Brahmastra. Thereafter, both the Brahmastra and Vajrastra subsided equally.

> Then Sindhu invoked the dark-blue Pisachastra (demon weapon). From it arose rows of demons that were extremely terrifying.

> In the evening, as if from fear, the day turned dark; the demons went to the world, filling it with darkness like heavy clouds.

> They appeared like pillars of ash, tall and dancing playfully, visible in huge forms, yet nothing could be grasped by the fist.

Summary of the Teachings:

The raging winds, falling trees, and uprooted mountains illustrate how uncontrolled thoughts and desires (represented by the storm) can devastate the inner and outer worlds, carrying away even strong entities like Viduratha's chariot. This highlights the impermanence and fragility of material existence when confronted by overwhelming primal energies.

The release of astras like Parvatastra, Vajrastra, and Brahmastra shows a progression of countermeasures to escalating destruction. Each weapon counters the previous one, leading to temporary calm, teaching that conflicts—whether external wars or internal struggles—require increasingly refined responses. The final subsidence of opposing forces (Vajra and Brahma astras) points to a balance achieved through Higher Knowledge or Divine intervention, but the cycle continues with new threats like the Pisachastra.

The emergence of terrifying demons and enveloping darkness signifies deeper layers of illusion and fear that arise when grosser forces are subdued. The world becomes shrouded in ignorance (tamas), where visible forms appear Real yet are ungraspable, emphasizing the illusory nature of phenomena. This reflects how the mind, after overcoming physical distractions, faces subtler delusions that obscure True Reality.

The imagery of ash-like pillars, tall dancing ghosts, and intangible huge shapes underscores the transient and dream-like quality of the perceived world. Nothing substantial can be held onto, teaching detachment from sensory experiences that seem solid but dissolve upon closer inspection.

Overall, these verses teach the Advaita Truth that all apparent battles, creations, and destructions occur within Consciousness. The Cosmic turmoil is a metaphor for the mind's projections; true peace comes not from winning fights with weapons (efforts of ego), but from Realizing the substratum of Pure Awareness beyond Seer-seen duality. The narrative urges turning inward to transcend the cycle of agitation and calm.

Chapter 3.48, Verses 75–86

Yoga Vashishtha 3.48.75–86

(These verses use a dramatic battle scene to show how the mind creates the entire visible world)

श्रीवसिष्ठ उवाच ।

विदूरथो रणोद्रेके तावत्क्रेंकारमाततम्।

कोदण्डं कुण्डलीकृत्य पर्जन्यास्त्रमथाददे ॥ ७५ ॥

उदगुः पङ्क्तयोऽब्दानां यामिन्य इव संचिताः।

तमालविपिनोड्डीनसंरम्भादम्बुमन्थराः ॥ ७६ ॥

वामना वारिपूरेण गर्जनोद्दामसंचराः।

महिम्नामन्थराशेषककुम्मण्डलकुण्डलाः ॥ ७७ ॥

ववुरावलितासारा मेघडम्बरभेदिनः।

कीर्णसीकरनीहारभारोदाराः समीरणाः ॥ ७८ ॥

प्रपुस्फुरुः सुसौवर्णसर्पापत्सरणोपमाः।

विद्युतो दिवि दैव्यस्त्रीकटाक्षवलना इव ॥ ७९ ॥

जुघूर्णुर्गर्जनोच्छूनप्रतिश्रुद्धनकन्दराः।

दिशश्चलितमातङ्गसिंहर्क्षरवघर्घराः ॥ ८० ॥

महामुसलधाराभिः पेतुरासारवृष्टयः।

कष्टटंकारकठिनाः कृतान्तस्येव दृष्टयः ॥ ८१ ॥

उदभूत्प्रथमं बाष्प उष्णोऽनलनिभो भुवः।

पातालादभ्रवृन्दानां युद्धायेवात्तविभ्रमः ॥ ८२ ॥

ततो निमेषमात्रेण प्रशेमुर्मृगतृष्णिकाः।

परबोधरसापूरैर्यथा संसारवासनाः ॥ ८३ ॥

आसीत्पङ्काङ्कमखिलं भूमण्डलमसंचरम्।

पूरितः पूर्णधाराभिः सिन्धुः सिन्धुरिवाम्बुना ॥ ८४ ॥

वायव्यमस्त्रमसृजत्पूरिताकाशकोटरम्।

कल्पान्तनृत्तसंमत्तरटद्भैरवभीषणम् ॥ ८५ ॥

ववुरशनिनिपातपीडिताङ्गा दलितशिलाशकलाः ककुम्मुखेषु।

प्रलयसमयसूचका भटानां कृतपटुटांकृतटङ्किनः समीराः ॥ ८६॥

Maharishi Vashishta continued:

3.48.75–82

> In the fury of battle, Viduratha grabbed his bow, bent it into a curve, and shot his rain weapon at the enemy.

> Thick clouds rose like dark night shades, flying upward like a forest of tamala trees and spreading a heavy watery shadow high above.

> The clouds sank under their heavy water, stood firm because they were so thick, and roared loudly in circles all around the sky.

> Winds blew, carrying icy dewdrops on their wings, and heavy rain showers poured down fast from the clouds above.

> Lightning flashed from the clouds like golden snakes twisting and turning, or like the sideways glances of heavenly women’s eyes.

> The clouds’ roars echoed back from the sky’s cave-like mountains, and all directions rang with the hoarse sounds of elephants, lions, tigers, and bears.

> Heavy rain fell like floods of big mallets, with lightning flashes as scary as the angry stares of the god of death.

> First, huge hot mists rose from the earth as vapors, then rose into the sky on hot air, looking like giants climbing up from the lower worlds to fight heaven.

3.48.83–86

> In just a moment the battle illusion ended, just as worldly desires calm down after tasting the sweet joy of Divine Knowledge.

> The whole ground turned muddy and slippery, impossible to walk on; Sindhu’s army was completely flooded by water like the Sindhu river or the sea itself.

> He then shot the wind weapon, which filled the sky with fierce winds raging wildly like the terrible Bhairava gods at the end of the world.

> Winds blew everywhere in the sky, with thunderbolts falling like arrows and hailstones piercing then crushing everything, just like the final blast of nature on doomsday.

Summary of the teachings:

Viduratha’s rain weapon triggers massive clouds, rain, and storms, teaching us that our thoughts and desires act like powerful weapons. They produce the ups and downs, joys and pains of daily life. Just as one arrow unleashes a storm, a single wrong thought can fill our world with chaos. The lesson is that the universe we see is not solid reality but a mental projection, and we must watch our mind carefully to avoid creating unnecessary suffering.

The detailed pictures of dark clouds, roaring thunder, flashing lightning, and echoing animal sounds illustrate the noisy, fearful nature of ordinary life. 

These forces overwhelm the earth and army, reminding us how ignorance and ego create constant distraction and fear. The verses compare life’s turbulence to a natural disaster, urging us to see that all excitement and terror are temporary shows. They teach detachment: instead of fighting the storm, recognize it as unreal and turn inward toward peace.

When the ground becomes muddy and impassable and armies drown in floods, the verses show how unchecked desires turn life into a burden full of obstacles and pain. The overflowing water like an ocean represents how small mental mistakes grow into huge troubles that trap everyone. This teaches the importance of self-control and knowledge; without them, existence becomes a slippery, dangerous path with no escape. The story warns that ignoring the mind’s power leads only to more confusion and sorrow.

The wind weapon causing world-ending fury and hail like doomsday teaches the truth of impermanence. Even the strongest creations of the mind can dissolve in a moment. This pralaya-like destruction reminds us that nothing in the world lasts forever, so we should not cling to success, power, or possessions. The verses encourage living with wisdom, knowing that all outer drama is like a dream that ends when we wake up to our true self.

The most important teaching comes when the battle illusion vanishes instantly, just as worldly desires disappear with Divine Knowledge. This shows that Supreme Awareness is the Real cure for all suffering. No matter how fierce the mental storm appears, one flash of true understanding ends it completely. These verses guide us toward liberation: Realize the world is only mind-made, drop all attachments, and rest in the calm light of the Inner Self. This is the path to lasting peace beyond every battle.

Chapter 3.48, Verses 61–74

Yoga Vashishtha 3.48.61–74

(These verses describe a fierce battle between Viduratha and Sindhu using powerful celestial weapons - astras)

श्रीवसिष्ठ उवाच ।

जित्वा रिपुं पुनरसौ यथा प्रहरते तथा।

वारुणं विससर्जास्त्रं पूजयित्वा विदूरथः ॥ ६१ ॥

आययुः सलिलापूरास्तमःपूरा इवाभितः।

अधस्तादूर्ध्वतो दिग्भ्यो द्रवरूपा इवाद्रयः ॥ ६२ ॥

भागा इव शरव्योम्नि धृतयाना इवाम्बुदाः।

महार्णवा इवोच्चस्थाः कुलशैलशिला इव ॥ ६३ ॥

तमालौघा इवोड्डीनाः संधिता इव रात्रयः।

कज्जलौघा इवोद्भूता लोकालोकतटादिव ॥ ६४ ॥

रसातलगुहाभोगा इव व्योमदिदृक्षवः।

महाघुरघुरारावरंहोबृंहितमूर्तयः ॥ ६५ ॥

तामग्निसंततिं मत्तामाचचामाम्बुसंततिः।

भुवनव्यापिनी संध्यामाशु कृष्णेव यामिनी ॥ ६६ ॥

तामग्निसंततिं पीत्वा पूरयामास भूतलम्।

जलश्रीर्जटितं देहं निद्रेव व्यक्तिमेयुषी ॥ ६७ ॥

एवंविधानस्त्रमोहान्विदधुर्धावनेतरे।

मिथोमायामयानग्रे पश्यन्त्यनुभवन्ति च ॥ ६८ ॥

हेतिभारवराः सिन्धोश्चक्ररक्षास्ततोऽम्भसा।

तृणानीव गताः प्रोह्य रथश्चास्याभवत्प्लुतः ॥ ६९ ॥

एतस्मिन्नन्तरे सिन्धुरस्त्रं सस्मार शोषणम्।

आपत्त्राणकरं दैवं ददौ च शररूपिणम् ॥ ७० ॥

शशामाम्बुमयी माया तेन यामेव भास्वता।

ये मृतास्ते मृता एव बभूवुः शोषिता भुवः ॥ ७१ ॥

अथ मूर्खरुषा तुल्यस्तापः संतापयन्प्रजाः।

जजृम्भे झर्झराकीर्णवनविस्तारकर्कशः ॥ ७२॥

कचत्कनकनिःस्यन्दसुन्दराङ्गच्छविर्दिशाम्।

आसीद्राजवरस्त्रीणामिवालेपोऽङ्गसंगतः ॥ ७३ ॥

तेन धर्ममयीं मूर्च्छामाजग्मुस्तद्विरोधिनः।

ग्रीष्मदावानलोत्तप्ता मृदवः पल्लवा इव ॥ ७४ ॥

Maharishi Vashishtha continued:

3.48.61–73

> Having defeated his enemy, Viduratha worshipped and then released his Varuna (water) weapon, just as the enemy had attacked him earlier.

> Masses of water came rushing from all sides, like floods of darkness, flowing from below, above, and every direction, appearing like liquid mountains.

> They looked like arrows filling the sky, clouds holding steady in the atmosphere, great oceans rising high, and huge rocks from mountain ranges.

> Like swarms of tamala trees flying, like nights joined together, like streams of black collyrium rising from the edges of the worlds (lokaloka mountains).

> Like the curves and expansions of the underworld caves wanting to see the sky, with huge roaring sounds and enlarged terrifying forms.

> The continuous stream of water swallowed that raging stream of fire, spreading darkness over the worlds quickly, just as the night engulfs the twilight.

> Having drunk that stream of fire, the watery glory filled the entire earth; the body of water became dense and manifested like sleep taking visible form.

3.48.68–74

> In this way, such deluding weapons created illusions; others ran about in confusion, seeing and experiencing these mutual magical displays.

> The heavy burden of weapons and the ocean-like chariot-guard were swept away by the water like grass; his chariot also floated away.

> At that moment, the ocean (Sindhu) remembered his drying-up weapon, which protects from calamity; fate granted him an arrow-form version of it.

> By that weapon, the watery illusion was extinguished, just as the sun dispels darkness; those who had died remained dead, and the earth became dried up.

> Then, like the anger of a fool, an intense heat began to scorch the beings; it spread fiercely with cracks and dryness across vast forest areas.

> The directions became beautiful with the shine of melting gold-like radiance on their bodies, as if royal women had applied shining ointments to their limbs.

> By this heat, those opposed to dharma (righteousness) fell into a stupor, like tender leaves scorched by the summer forest fire.

Summary of the teachings:

Viduratha unleashes a water-based weapon (Varuna astra) that creates massive floods and illusions of overwhelming darkness and liquid forms. This illustrates how the mind projects powerful illusions (maya) during conflict, where apparent realities like water masses and roaring forms arise purely from mental constructs and magical powers. The teaching highlights that the external world of strife and elements is not ultimately real but a play of deluding energies (maya), showing the impermanence and deceptive nature of sensory experiences.

The water weapon engulfs and "drinks" the fire weapon, filling the earth with dense water like a manifested dream-state or sleep. This symbolizes the interplay of opposing forces (fire and water, heat and coolness) as transient appearances in consciousness. The verses teach that all dualities and dramatic events in life are illusory superimpositions on the one reality, much like dreams where one element overcomes another without any true substance changing.

Illusions multiply as beings run in confusion, experiencing mutual magical displays. This points to the core teaching of Yoga Vasishta: the world is mithya (apparent but unreal), born from ignorance and mental projections. The mutual "seeing and experiencing" of illusions underscores how individuals trapped in samsara reinforce each other's delusions through shared perception, emphasizing the need to awaken from this collective dream.

Sindhu counters with a drying weapon, extinguishing the water and parching the earth, causing those who died to stay dead. This reversal shows the cyclic and unpredictable nature of power, victory, and defeat in the phenomenal world. The teaching warns against attachment to transient successes or failures, as even mighty weapons and outcomes are part of the illusory play governed by fate or Divine Will.

Finally, intense heat scorches everything, causing stupor in those opposing dharma, like leaves in a forest fire. The golden radiance amid heat ironically beautifies directions, yet destroys. This teaches that adharma (unrighteousness) leads to self-destruction through inner "heat" (anger, delusion), while dharma sustains balance. The ultimate message is to transcend dualistic conflicts and illusions through Self-Knowledge, Realizing the Unchanging Self beyond all such dramatic appearances.

Chapter 3.48, Verses 46–60

Yoga Vashishtha 3.48.46–60

(These verses vividly describe the sudden rise of demonic forces in the form of terrifying demons, symbolizing how negative emotions like greed, anger, and fear suddenly manifest in the mind and appear real and overwhelming)

श्रीवसिष्ठ उवाच ।

ययुः प्रकटतामन्तरखिला वनराजयः।

लोभकज्जलजालेन मुक्ता इव सतां धियः ॥ ४६ ॥

अथ कोपाकुलः सिन्धू राक्षसास्त्रं महाभयम्।

क्षणादुदीरयामास मन्त्रोदीर्णशरात्मकम् ॥ ४७ ॥

उदगुर्भीषणा दिग्भ्यः परुषा वनराक्षसाः।

पातालगजफूत्कारक्षुब्धा इव महार्णवाः ॥ ४८ ॥

कपिलोर्ध्वजटाधूम्राः स्फुटच्चटचटारवाः।

अग्नयो लेलिहानोग्रजिह्वा आर्द्रेन्धना इव ॥ ४९ ॥

सावर्तवृत्तयो व्योम्नि भीमचीत्कारटांकृताः।

अग्निदाहा महाधूमविलोला इव सोल्मुकाः ॥ ५० ॥

दंष्ट्राबिसाङ्कुराक्रान्तमुखपङ्काक्षदेहकाः।

उदिता लोमजम्बाला दुष्पल्वलतटा इव ॥ ५१ ॥

निगिरन्तः प्रधावन्तो गर्जन्तः सर्जिता इव।

जटाजालतडित्पुञ्जा जलदाः सजला इव ॥ ५२ ॥

एतस्मिन्नन्तरे तस्मिँल्लीलानाथो विदूरथः।

नारायणास्त्रं प्रददे दुष्टभूतनिवारणम् ॥ ५३ ॥

उदीर्यमाण एवास्मिन्मन्त्रराजेऽस्त्रराजयः।

राक्षसानां प्रशेमुस्ता अन्धकार इवोदये ॥ ५४ ॥

प्रमुष्टराक्षसानीकमभवद्भुवनत्रयम्।

शरदीव गताम्भोदं व्योम निर्मलमाबभौ ॥ ५५ ॥

अथ सिन्धुर्मुमोचास्त्रमाग्नेयं ज्वलिताम्बरम्।

जज्वलुः ककुभस्तेन कल्पाग्निज्वलिता इव ॥ ५६ ॥

धूमाम्बुदभराच्छन्ना बभूवुः सकला दिशः।

गगने प्रोतपातालतिमिराकुलिता इव ॥ ५७ ॥

बभूवुर्ज्वलिताकारा गिरयः काञ्चना इव।

प्रफुल्लवननीरन्ध्रचम्पकौघवना इव ॥ ५८ ॥

ययुर्व्योमाद्रिदिक्कुञ्जा ज्वालाजालजटालताम्।

कुङ्कुमेनोत्सवे मृत्योः समालब्धा इव स्रजः ॥ ५९ ॥

ज्वलिता जनता चैकशङ्किनी सा नभःस्पृशा।

सहस्राकृतिनौवेगचलितेनेव सागरात् ॥ ६० ॥

Maharishi Vashishta continued:

3.48.46–52

> All the forest kingdoms suddenly appeared within, like the pure minds of saints freed from the dark web of greed.

> Then Sindhu, full of rage, instantly invoked the terrible demon weapon, the arrow-like force born from sacred mantra.

> Fierce and harsh forest demons rose up from every direction, like huge oceans churned by the trumpeting of elephants from the underworld.

> They were smoky with upright matted hair like sage Kapila, crackling loudly, with fierce flickering tongues of fire, as if burning wet wood.

> They whirled in the sky with terrifying shrieks, blazing like great fires with thick rolling smoke, like flying firebrands.

> Their faces were covered with sprouting fang-like lotuses, bodies like lotus ponds, risen with hairy swamps, like the banks of foul marshes.

> They swallowed everything, rushed forward roaring loudly, with matted hair full of lightning clusters, like water-filled clouds.

3.48.53–60 

> At that moment, Viduratha, the Lord of Divine play, released the Narayana weapon that drives away evil spirits and demons.

> As soon as this supreme mantra-weapon was invoked, the armies of demons vanished completely, like darkness disappearing at sunrise.

> The three worlds became free from demon forces, and the sky shone pure and clear like autumn without any clouds.

> Then Sindhu released the blazing Agneya weapon that set the sky on fire; all directions burned fiercely as if with the fire of Cosmic dissolution.

> Every direction was covered with thick clouds of smoke, as if the sky was filled with darkness rising straight from hell.

> The mountains looked blazing like pure gold, and the forests appeared dense with fully bloomed champaka flowers in gardens.

> The sky, mountains and groves became tangled masses of flames, like garlands smeared with saffron at the festival of death.

> The blazing crowd appeared as one single form touching the sky, like the ocean violently stirred by a ship moving at thousand-fold speed.

Summary of the Teachings:

Just as the forests become alive with monstrous beings, our inner world gets filled with disturbing thoughts that look powerful and destructive, but they are only projections of the mind, like a dream that seems solid yet has no true substance.

The invocation of Divine weapons through mantras, especially the powerful Narayana astra, teaches that Pure Knowledge and Spiritual Wisdom act as supreme weapons against ignorance. 

When the sacred mantra is uttered with focus, the forces of darkness instantly dissolve, just as light removes darkness. This shows that no evil, however terrifying, can stand before the power of Truth and Self-Realization; the three worlds become peaceful and clear once the illusion of demons (false ego and desires) is destroyed.

The descriptions of demons as fiery, smoky, swirling, and cloud-like beings illustrate the chaotic and illusory nature of worldly attachments and passions. They roar, swallow, and spread like fire on wet fuel or monsoon clouds, reminding us that anger, lust, and delusion burn brightly for a moment but are temporary and self-destructive. The mind creates these forms, yet they have no independent reality beyond our own projections.

Sindhu's release of the Agneya (fire) weapon after the temporary defeat shows how ignorance fights back fiercely, causing widespread destruction and covering everything in smoke and flames. This represents the repeated cycles of desire and anger that engulf the world in suffering. Yet even this cosmic blaze is part of the Divine play (lila), teaching that all apparent destruction is merely a passing phase in the eternal Consciousness.

Ultimately, these verses convey that the entire battle—demons, weapons, fire, and smoke—is an allegory for the mind's internal war. The true teaching is that the world and its conflicts are like a dream or magical show created by Brahm. Real Peace comes only when one invokes the Highest Knowledge (Narayana principle), sees through the illusion, and Realizes the Pure, Unchanging Self beyond all appearances.

Chapter 3.48, Verses 15–29

Yoga Vashishtha 3.48.15–29

(These verses describe a fierce battle full of magical weapons and counter weapons, but the deeper teaching in Yoga Vasistha is that everything happening here is only a play of the mind)

श्रीवसिष्ठ उवाच ।

तेन बाणसमूहेन जयमाशङ्क्य भर्तरि ।

उवाच वाक्यमानन्दविकसन्मुखपङ्कजा ॥ १५ ॥

जय देवि जयत्येष नाथोऽस्माकं विलोकय ।

किंचानेन शरौघेण मेरुरप्येति चूर्णताम् ॥ १६ ॥

तस्यामेव वदन्त्या तु घनस्नेहरवाकुलम्।

प्रेक्षणव्यग्रयोर्देव्योर्हसन्त्योर्मानुषीं हृदा ॥ १७ ॥

तच्छरार्णवमामत्तमपिबत्सिन्धुवाडवः ।

शरोष्मणा ह्यगस्त्येन जह्नुर्मन्दाकिनीमिव ॥ १८ ॥

बाणवर्षेण कणशस्तं सायकमहाघनम्।

छित्त्वा तनुरजः कृत्वा चिक्षेप गगनार्णवे ॥ १९ ॥

यथा दीपस्य शान्तस्य न परिज्ञायते गतिः ।

तस्य सायकसङ्घस्य न विज्ञाता तथा गतिः ॥ २० ॥

तं छित्त्वा सायकासारं शरीराम्बुधरं घनम् ।

व्योम्नि प्रसारयामास रसाच्छवशतान्वितम् ॥ २१ ॥

विदूरथस्तमप्याशु व्यधमत्सायकोत्तमैः।

सामान्यजलदं मत्तं कल्पान्तपवनो यथा ॥ २२ ॥

कृतप्रतिकृतैरेवं बाणवर्षैर्महीपती ।

व्यर्थीकृतैरनयतां प्रहारमविचारणैः ॥ २३ ॥

अथादधे मोहनास्त्रं सिन्धुर्गन्धर्वसौहृदात् ।

प्राप्तं तेन ययुर्लोका विना मोहं विदूरथात् ॥ २४ ॥

व्यस्तशस्त्राम्बरा मूका विषण्णवदनेक्षणाः ।

मृता इवाभवन्योधाश्चित्रन्यस्ता इवाथवा ॥ २५ ॥

यावद्विदूरथादन्यं मोहो नयति मन्दताम्।

तावद्विदूरथो राजा प्रबोधास्त्रमथाददे ॥ २६ ॥

ततः प्रबोधमापन्नाः प्रजाः प्रातरिवाब्जिनी ।

विदूरथे भवत्सिन्धुः कुद्धोऽर्क इव राक्षसे ॥ २७ ॥

नागास्त्रमाददे भीमं पाशबन्धनखेददम्।

तेनाभवन्नभो व्याप्तं भोगिभिः पर्वतोपमैः ॥ २८ ॥

सर्पैर्विलसिता भूमिर्मृणालैः सरसी यथा।

संपन्ना गिरयः सर्वे कृष्णपन्नगकम्बलाः ॥ २९ ॥

Maharishi Vasistha said:

3.48.15–22

> Thinking her husband would win because of that huge group of arrows, she spoke words with her lotus face blooming with joy.

> Victory, O Goddess! Our lord is victorious, look! With this flood of arrows even Mount Meru turns to powder.

> While she was speaking this way, the two Goddesses, filled with deep affection, with eyes eagerly watching, laughed heartily at the human lady.

> That wild ocean of arrows was drunk by Sindhu’s submarine fire, just as Agastya drank the ocean with the heat of his arrows or Jahnu drank the Ganges.

> With a shower of arrows he cut that great dense mass of arrows into tiny pieces, turned it into fine dust and scattered it into the ocean of the sky.

> Just as the path of an extinguished lamp is not known, the path of that group of arrows was also not known.

> Cutting that stream of arrows, the dense cloud-like body, he spread it in the sky along with hundreds of clear essences.

> Viduratha quickly destroyed even that with his best arrows, like the wind at the end of the world age destroys an ordinary mad cloud.

3.48.23–29

> In this way the two kings made each other’s arrow showers useless with counter actions and carried on the fight with thoughtless strikes.

> Then Sindhu took the deluding weapon because of his friendship with the Gandharvas. With it the armies became deluded except Viduratha himself.

> The warriors had scattered weapons and clothes, became silent, with sad faces and eyes, like dead bodies or like pictures fixed in a painting.

> While the delusion made others slow and dull, King Viduratha then took the awakening weapon.

> Then the people woke up like lotus flowers at dawn. Sindhu became furious at Viduratha like an angry sun towards a demon.

> He took the terrible serpent weapon that causes painful bondage with nooses. With it the sky filled with huge serpents like mountains.

> The earth shone with serpents like a lake with lotus stalks. All mountains were covered as if with black serpent blankets.

Summary of the teachings:

Arrows fly, get cut and disappear like dust in the sky, showing that all forms in the world are created by thought and can vanish in a moment. 

There is no real solid world outside our Consciousness; the battle teaches us to see life as a dream where one illusion quickly cancels another.

The queen feels joy thinking her husband is winning, and the Goddesses' smile at her human emotions. This teaches detachment. From the higher view of awakened Beings, our small victories and worries look funny and unimportant. We are asked to watch our own desires and fears without getting lost in them, just as the Goddesses' watch the fight with light laughter.

The deluding weapon puts the whole army into stupor and silence, but the awakening weapon brings them back to life like lotuses opening at sunrise. This is the central spiritual lesson: ignorance can bind even strong people in dullness, yet one touch of true Knowledge removes the veil instantly. The verses remind us that the path from confusion to clarity is always open through Inner Wisdom.

Huge clouds of arrows turn to nothing and giant serpents suddenly cover the earth and sky. These images show the changing and unreal nature of everything. Nothing stays, nothing has a lasting path or substance; all is like a lamp that goes out or a cloud blown away. The teaching is to stop clinging to temporary things and realise their empty, dream-like quality.

Finally, the verses drive home the non-dual truth of Yoga Vasistha. Kings, weapons, victory, defeat and even the entire battlefield exist only within one Consciousness. There is no Real “other” or real fight; it is all the same Self playing different roles. The seeker is guided to wake up from this dream, stop taking sides in illusory battles and rest in the peaceful Oneness beyond all appearances.

Chapter 3.48, Verses 1–14

Yoga Vashishtha 3.48.1–14

(These verses paint a vivid picture of a fierce battle to show how even a small action can grow into something enormous)

श्रीवसिष्ठ उवाच ।

प्राप्य राजा पुरः प्राप्तं सिन्धुमुद्धुरकन्धरम् ।

मध्याह्नतपनान्तेन कोपेन विततोऽभवत् ॥ १ ॥

धनुरास्फालयामास चिरारावितदिङ्मुखम् ।

कल्पान्तपवनास्फोट इव मेरुगिरेस्तटम् ॥ २ ॥

विससर्जोर्जितो राजा प्रलयार्कः करानिव ।

तूणीररजनीबद्धाः शिलीमुखपरम्पराः ॥ ३ ॥

एक एव विनिर्याति गुणात्तस्य शिलीमुखः ।

सहस्रं भवति व्योम्नि गच्छन्पतति लक्षशः ॥ ४ ॥

सिन्धोरपि तथैवासीच्छक्तिर्लाघवमेव च ।

वरेण वरदस्यैवं विष्णोर्धानुष्कता तयोः ॥ ५ ॥

मुसला नाम ते बाणा मुसलाकृतयोऽम्बरम् ।

छादयामासुरुन्नादाः कल्पान्ताशनयो यथा ॥ ६ ॥

रेजुः कनकनाराचराजयो व्योम्नि सस्वनाः ।

रसन्त्यः कल्पवातार्ताः पतन्त्य इव तारकाः ॥ ७ ॥

विदूरथाच्छरासारा अजस्रमभिनिर्ययुः ।

अब्धेरिव पयःपूराः सूर्यादिव मरीचयः ॥ ८ ॥

प्रचण्डपवनोद्धूतात्पुष्पाणीव महातरोः ।

अयःपिण्डादिवोत्तप्तात्ताडितात्कणपङ्कयः ॥ ९ ॥

धारा वर्षमुच इव सीकरा इव निर्झरात्।

तत्पुराग्निमहादाहात्स्फुलिङ्गा इव भासुराः ॥ १० ॥

तयोश्चटचटास्फोटं शृण्वत्कोदण्डयोर्द्वयोः ।

बलद्वयमभूत्प्रेक्षामूकं शान्त इवाम्बुधिः ॥ ११ ॥

वहन्ति स्म शरापूरा गङ्गापूरा इवाम्बरे ।

सिन्धोरभिमुखं युद्धे घर्घरारावरंहसः ॥ १२ ॥

कचत्कनकनाराचशरवर्षा अनारतम्।

वहच्छवशवाशब्द निर्ययुर्धनुरम्बुदात् ॥ १३ ॥

बाणमन्दाकिनीपूरं व्रजन्तं सिन्धुपूरणे ।

वातायनात्तमालोक्य लीला तत्पुरवासिनी ॥ १४ ॥

Maharishi Vasistha said: 

3.48.1–6

> The king reached before the proud Sindhu king with his neck held high. At the end of the midday sun's heat, he swelled with great anger.

> He twanged his bow loudly so that all directions echoed for a long time. It was like the wind of world-ending explosion hitting the slope of Mount Meru.

> The mighty king released streams of arrows tied in his dark quiver, just like the rays of the sun at the time of world dissolution.

> Only one arrow comes out from his bowstring, but in the sky it turns into a thousand, and as it flies it falls in lakhs.

> The Sindhu king too had the same power and quickness. By the boon given by Vishnu the boon-granter, both had such great skill in archery.

> Those pestle-shaped arrows called musala covered the sky with loud noise, like thunderbolts at the end of the world.

3.48.7–14

> The golden arrows shone and hummed in the sky, like stars falling while tormented by the winds of cosmic dissolution.

> Endless streams of arrows poured out from Viduratha, like floods of water from the ocean or rays coming from the sun.

> Like flowers shaken from a huge tree by a fierce wind, or like sparks flying from a hot iron ball when struck.

> Like rain showers from clouds, like spray from a waterfall, or like bright sparks from the huge fire burning that city.

> Hearing the loud clashing of both bows, the two armies became silent watchers, still and quiet like a calm ocean.

> The floods of arrows flowed in the sky like the Ganga river, rushing towards Sindhu with roaring speed in the battle.

> The continuous shower of golden arrows, making shava-shava sounds, poured out from the bow like clouds.

> The lady living in that city playfully watched from the window and saw the river-like flood of arrows going to fill the Sindhu river.

Summary of the teachings:

The king's anger and the release of arrows teach that the mind can create huge events from one single thought. In the Yoga Vasistha, this battle scene reminds us that the world we see is like a dream created by Consciousness. Nothing is solid; everything expands from the one mind, just as one arrow becomes thousands.

The way one arrow multiplies into lakhs in the sky explains the illusion of maya. It teaches that the whole universe appears from a single reality but looks like many separate things. The comparisons to the end of the world show that creation and destruction are two sides of the same play. We learn not to fear or get excited by big events because they are temporary and part of the cosmic drama.

When the armies fall silent while watching the bows clash, it points to the power of true seeing. Instead of fighting blindly, one should observe quietly like the calm ocean. This teaches inner peace and humility. Even the strongest forces stop when faced with higher energy, showing that real strength lies in stillness and understanding rather than action.

The arrows flowing like rivers and the queen's happy face highlight how people get caught in the drama of life. She feels joy thinking her husband will win, but this shows attachment to winning in an unreal world. The verses gently teach that all hopes and fears are part of the dream. True Wisdom comes when we see beyond these feelings to the Peaceful Self inside.

Finally, these verses use the battle as a metaphor for the entire Universe. Just as one arrow creates a flood of arrows, one thought creates the whole world. The teaching is to wake up from this dream, drop all attachment, and Realize the non-dual Truth. When Rama hears this story, he is guided towards freedom through Knowledge that everything is Brahm and nothing else is Real.

Chapter 3.47, Verses 1–16

Yoga Vashishtha 3.47.1–16

(These verses reveal one of the central principles of Yoga Vashishtha: the law of inner desire and divine response is completely impartial and mechanical)

श्रीवसिष्ठ उवाच ।

एतस्मिन्वर्तमाने तु घोरे समरसंगमे।

लीलाद्वयमुवाचेदं ज्ञप्तिं भगवतीं पुनः ॥ १ ॥

लीलाद्वयमुवाच ।

देवि कस्मादकस्मान्नौ भर्ता जयति नौ रणे ।

वद त्वय्यपि तुष्टायामस्मिन्विद्रुतवारणे ॥ २ ॥

श्रीसरस्वत्युवाच ।

चिरमाराधितानेन विदूरथनृपारिणा।

अहं पुत्रि जयार्थेन न विदूरथभूभृता ॥ ३ ॥

तेनासावेव जयति जीयते च विदूरथः ।

ज्ञप्तिरन्तर्गता संविदेतां मां यो यदा यथा ॥ ४ ॥

प्रेरयत्याशु तत्तस्य तदा संपादयाम्यहम् ।

यो यथा प्रेरयति मां तस्य तिष्ठामि तत्फला ॥ ५ ॥

न स्वभावोऽन्यतां धत्ते वह्नेरौष्ण्यमिवैष मे ।

अनेन मुक्त एव स्यामहमित्यस्मि भाविता ॥ ६ ॥

प्रतिभारूपिणी तेन बाले मुक्तो भविष्यति ।

एतदीयः स्वयं शत्रुः सिन्धुर्नाम महीपतिः ॥ ७ ॥

जयाम्यहं स्यां संग्राम इत्यनेनास्मि पूजिता ।

तस्माद्विदूरथो देहं तत्प्राप्य सह भार्यया ॥ ८ ॥

त्वयानया च कालेन बाले मुक्तो भविष्यति ।

एतदीयः स्वयं शत्रुः सिन्धुर्नाम महीपतिः ॥ ९ ॥

श्रीवसिष्ठ उवाच ।

हत्वैनं वसुधापीठे जयी राज्यं करिष्यति ।

एवं देव्यां वदन्त्या तु बलयोर्युध्यमानयोः ॥ १० ॥

रविर्द्रष्टुमिवाश्चर्यमाजगामोदयाचलम्।

चेलुस्तिमिरसंघाता बलानीवारिरूपिणः ॥ ११ ॥

असृजन्जीवसङ्घान्ये संध्यायां तारका इव ।

शनैः प्रकटतां जग्मुर्नीलाकाशाद्रिभूमयः ॥ १२ ॥

भुवनं कज्जलाम्भोधेरिवोत्क्षिप्तमराजत ।

पेतुः कनकनिःस्यन्दसुन्दरा रविरश्मयः ॥ १३ ॥

शैलेषु वरवीरेषु रणे रक्तच्छटा इव ।

अदृश्यत ततो व्योम तथा रणमहीतलम् ॥ १४ ॥

बाहुभिर्भ्रान्तभुजगं प्रभाभिः कीर्णकाञ्चनम् ।

कुण्डलैः कीर्णरत्नौघं शिरोभिर्दृष्टपङ्कजम् ॥ १५ ॥

आयुधैः खड्गनीरन्ध्रं शरैः शलभनिर्भरम् ।

रक्ताभास्थिरसंध्याढ्यं ससिद्धपुरुषं शवैः ॥ १६ ॥

Sage Vasishta said: 

3.47.1

> While this terrible battle was raging fiercely between the two armies, both Leelas once again addressed Goddess Jnaptim (the Goddess of Pure Knowledge).

Both Leelas said: 

3.47.2

> O Goddess, for what unknown reason is our husband not winning this battle, even though you are pleased with him and he has already driven away the enemy elephants in the fight?

Goddess Saraswati replied: 

3.47.3–9

> My dear daughters, this king Viduratha’s enemy has worshipped and propitiated me for a very long time specifically for victory in war — whereas your husband Viduratha never asked me for victory.

> Therefore that enemy is winning now, and Viduratha is being defeated. The Inner Consciousness (Knowledge) that dwells within everyone directs me exactly according to how and when a person turns toward me.

> Whosoever directs me in whatever manner, I immediately become the giver of exactly that result to him. I stand as the fruit of whatever way he approaches or invokes me.

> My essential nature never changes into anything else — just as fire never loses its heat. Because of this unchangeable nature I have been resolved (or meditated upon) by him in the form “I will certainly become liberated through this Knowledge.”

> Therefore, O young girl, that intelligent Leela, being of the nature of Pure reflection/Awareness, will become liberated along with him. The enemy king named Sindhu is himself the direct adversary of Viduratha.

> Because this King of Sindhu has worshipped me with the firm thought “I shall be victorious in battle,” I have been pleased by him in that way. Therefore Viduratha, along with his wife, will have to give up his body and fall into the hands of that enemy.

> O girl, in due course of time you too will attain liberation like her. But before that happens, this enemy of yours — King Sindhu himself — will rule over the earth for some time.

Sage Vasishta continued:

3.47.10–16

> When the Goddess was speaking in this manner, the sun rose over the eastern mountain as if coming to witness the wonderful spectacle, while the two armies were still fiercely engaged in combat.

> The masses of darkness fled away like the enemy forces; the armies of Viduratha shone forth like stars appearing in the twilight.

> Slowly the mountains, the blue sky and the earth became clearly visible. The whole world looked as though it had been lifted up again from an ocean of black ink.

> Golden rays of the rising sun fell beautifully like streams of molten gold. On the hills and on the excellent warriors they looked like splashes of fresh blood in battle.

> Then the sky and the battlefield appeared in such a way that the shining arms of the warriors moved like writhing serpents, their brilliant lustre scattered golden light everywhere.

> Their ear-rings poured floods of jewels, their heads appeared like blooming lotuses, their weapons made the sky look full of sword-like gaps, their arrows flew thick like swarms of locusts.

> The battlefield was rich with the red glow of twilight-like blood, crowded with accomplished siddha-like beings in the form of corpses.

Summary of the teachings:

Goddess Saraswati does not favour anyone emotionally; she simply fulfils whatever a person has intensely and consistently directed toward her. Sindhu’s long, single-pointed worship for victory produced victory, while Viduratha’s lack of any prayer for worldly success produced defeat. This shows that our outer fate is not random or caused by external gods being partial — it is the direct, exact reflection of our own deepest, most persistent inner orientation.

The unchanging nature of Consciousness is compared to the unchanging heat of fire. Just as fire can never become cold no matter how much one prays for it to become cold, Pure Knowledge can never fail to deliver liberation to one who has inwardly resolved “I shall become free through this Knowledge.” Viduratha’s secret, steady intention for liberation therefore guarantees his eventual liberation despite present defeat and death. This teaches that spiritual aspiration, when genuine and rooted in understanding, is invincible and cannot be cancelled by any worldly loss.

Even though Viduratha loses the war and his body, the teaching is optimistic: outer defeat does not cancel inner victory. Both the wise Leela (who possesses right understanding) and Viduratha will attain liberation because their deeper longing was for truth and freedom, not for power or survival. The unripe Leela will take longer, showing that readiness for liberation depends on inner ripeness and not on external events or even on physical death. Time and grace will eventually ripen her also.

The story illustrates the temporary and dream-like nature of worldly power. King Sindhu enjoys victory and rules the earth only for a limited period; it is not permanent. All empires, victories and defeats are transient appearances within Consciousness. The real teaching is to turn the mind away from craving transient results and instead cultivate the firm, quiet resolution for liberation, because that alone produces an eternal result.

The magnificent poetic description of sunrise over the battlefield serves as a profound metaphor. Darkness (ignorance, tamas) flees at the appearance of light (knowledge, sattva), just as illusion flees when true awareness dawns. Even amid terrible bloodshed and death the world is re-illuminated and appears beautiful again — reminding the reader that all wars, suffering and apparent chaos are only surface appearances. Beneath them Consciousness remains ever-shining, untouched and ready to reveal its splendour the moment the mind turns toward it.

Chapter 3.46, Verses 16–31

Yoga Vashishtha 3.46.16–31

(These verses vividly describe an intense cosmic battle as a metaphor for the inner turmoil of the mind and the illusory nature of the world)

श्रीवसिष्ठ उवाच ।

गर्भवासमिवापन्नं तेनासीत्तन्महापुरम्।

मूढत्वं यौवनेनेव घनतामाययौ तमः ॥ १६ ॥

प्रययुः क्वापि दीपौघा दिवसेनेव तारकाः ।

आययुर्बलमालोला नैशभूतपरम्पराः ॥ १७ ॥

ददृशुस्तन्महायुद्धं द्वे लीले सा कुमारिका ।

प्रस्फुटद्धृदयेनेव देवीदत्तमहादृशौ ॥ १८॥

प्रशेमुरथ हेतीषु प्रोद्यत्कटकटारवाः ।

एकार्णवपयःपूरैर्वालवा इव वह्नयः ॥ १९ ॥

शनैः सेनां समाकर्षन्नाज्ञायत बलान्तरम् ।

विवेशपक्षप्रोड्डीनो मेरुरेकमिवार्णवम् ॥ २० ॥

अथोदभूद्गुणध्वानं चटच्चटदिति स्फुटम्।

रचितांशुमयाम्भोदाश्चेरुः परपरम्पराः ॥ २१ ॥

ययुरम्बरमाश्रित्य नानाहेतिविहंगमाः ।

प्रसस्रुरलमात्तासुमलिनाः शस्त्रदीप्तयः ॥ २२ ॥

जज्वलुः शस्त्रसंघट्टज्वलना उल्मुकाग्निवत् ।

जगर्जुः शरधारौघान्वर्षन्तो वीरवारिदाः ॥ २३ ॥

विविशुः क्रकचक्रूरा वीराङ्गेषु च हेतयः ।

पेतुः पटपटारावं हेतिनिष्पिष्टयोऽम्बरे ॥ २४ ॥

जग्मुः शमं तमांस्याशु शस्त्रकानलदीपकैः ।

बभूवुरखिला सेना नवनाराचरोमशाः ॥ २५ ॥

उत्तस्थुर्यमयात्रायां कबन्धनटपङ्क्तयः।

जगुरुच्चै रणोद्रेकं पिशाच्यो रणदारिकाः ॥ २६ ॥

उदगुर्दन्तसंघट्टटंकारा दन्तिनां बलात् ।

ऊहुः क्षपणपाषाणमहानद्यो नभस्तले ॥ २७ ॥

पेतुः शवा निवातास्तसंशुष्कवनपर्णवत्।

निर्ययुर्लोहिता नद्यो रणाद्रेर्मृतिवर्षिणः ॥ २८ ॥

प्रशेमुः पांसवो रक्तैस्तमांस्यायुधवह्निभिः ।

युद्धैकध्यानतः शब्दा भयानि मृतिनिश्चयैः ॥ २९ ॥

अभवत्केवलं युद्धमपशब्दमसंभ्रमम्।

अनाकुलाम्बुवाहाभं खड्गवीचिसटांकृतम् ॥ ३० ॥

खदखदरवसंवहच्छरोघं टकटकितारवसंपतद्भुशुण्डि ।

झणझणरवसंमिलन्महास्त्रं तिमितिमिवद्रणमास दुस्तरं तत् ॥ ३१॥

Maharishi Vashishta continued:

3.46.16–23

> That great city became enveloped in darkness, like a child in the womb; ignorance thickened like the darkness of youth.

> The clusters of lamps went away somewhere, like stars in daylight. Rows of night spirits came in crowds, eager for strength.

> The two Lilas, that young girl, watched that great battle with eyes wide open in wonder, as if their hearts were bursting.

> Then the weapons became calm, with clashing sounds rising high; like fires extinguished by floods of ocean water.

> Slowly drawing the army, the other force could not be seen. It entered like Meru mountain flying on one wing into the ocean.

> Then arose a loud sound of qualities, clearly cracking and snapping. Rows of clouds made of rays moved in succession.

> Various weapon-birds took shelter in the sky. The lights of weapons spread, stained with blood and full of force.

> The fires from weapon clashes blazed like funeral pyres. Hero-clouds roared, raining streams of arrows.

3.46.24–31

> Cruel saw-like weapons entered the bodies of warriors. Weapons crushed in the sky fell with loud pat-pat sounds.

> Darkness quickly calmed by the lamps of weapon-fires. All the armies became hairy with fresh arrows.

> Rows of headless dancers rose in Yama's procession. Fierce demon women sang loudly the frenzy of battle.

> Loud clashing sounds of tusks rose from the elephant forces. Great rivers of enemy-destroying stones flowed in the sky.

> Corpses fell like dry leaves in windless forests. Red rivers flowed from the battle-mountain, showering death.

> Dust settled with blood; darkness by weapon-fires. Sounds from battle-focus; fears from death-certainty.

> Only the battle remained, without bad sounds or confusion, like calm waters with sword-waves splashing.

> With loud khad-khad sounds carrying arrow-floods, tak-tak sounds of falling weapons, jhan-jhan clashing of great missiles, that battle became unbearable and motionless like timiti.

Summary of the teachings:

The great city plunged in darkness represents the state of ignorance (avidya) enveloping the soul, similar to how a fetus is confined or youth brings denser delusion. 

The disappearance of lights and arrival of night spirits symbolize how clarity vanishes when tamas (inertia/darkness) dominates, and lower impulses rush in unchecked. The two Lilas watching in awe highlight the witnessing consciousness that observes the drama of existence without being affected, pointing to the detached Self beyond the play of phenomena.

The battle's chaos—with clashing weapons, blazing fires, roaring heroes, and falling corpses—illustrates the relentless conflict within samsara, driven by desires, ego, and karma. Elements like arrow-rains, elephant clashes, and blood-rivers depict how sensory battles and mental agitations create endless suffering and destruction. Yet, the weapons calming or darkness being dispelled by fires suggests that higher awareness (like knowledge or sattva) can subdue these forces, though temporarily in the worldly realm. The headless dancers and singing demons evoke the grotesque, death-bound aspects of ego-driven life, reminding that unchecked passions lead to ruin.

The focus shifts to the battle becoming "only war" without confusion or noise, resembling calm waters with sword-waves. This paradox teaches that even in apparent turmoil, the realized sage sees the world as a non-disturbing play of Consciousness. The absence of bewilderment indicates equanimity (samatva), where one perceives multiplicity as unreal vibrations of the One Brahm. 

The unbearable, motionless intensity of the final description (like the mythical timiti fish in stillness) underscores the overwhelming power of maya when fully engaged, yet its ultimate insubstantiality for the enlightened. The core teaching is the illusory (mithya) nature of all phenomena, including grand wars and Cosmic events. Vasishta uses this dramatic scene to show that what appears as real conflict is merely a projection of the mind, like a dream battle. True liberation comes from recognizing this as non-real, detaching from identification with the warring parties (body, ego, senses), and abiding in Pure Awareness.

Ultimately, these verses urge discernment (viveka) and dispassion (vairagya). By witnessing the world's turmoil without attachment—like the Lilas observing—one transcends birth, death, and suffering. The battle's ferocity serves as a mirror to inner chaos, encouraging inquiry into the Self to end the cycle of illusion and attain Unchanging Peace beyond all dualities.

Chapter 3.46, Verses 1–15

Yoga Vashishtha 3.46.1–15

(These verses form part of the story of Queen Lila in the Utpatti Prakarana, where Vasishta narrates to Rama the dramatic events involving King Viduratha, the husband of one form of Lila)

श्रीराम उवाच ।

एवं संकथयन्तीषु तासु तस्मिन्गृहोदरे ।

विदूरथः किमकरोन्निर्गत्य कुपितो गृहात् ॥ १ ॥

श्रीवसिष्ठ उवाच ।

विदूरथः स्वसदनान्निर्गतः परिवारितः ।

परिवारेण महता ऋक्षौघेणेव चन्द्रमाः ॥ २ ॥

सन्नद्धसर्वावयवो लग्नहारविभूषणः।

महाजयजयारावैः सुरेन्द्र इव निर्गतः ॥ ३ ॥

समादिशन्योधगणं शृण्वन्मण्डलसंस्थितिम् ।

आलोकयन्वीरगणानारुरोह नृपो रथम् ॥ ४ ॥

कूटाकारसमाकारं मुक्तामाणिक्यमण्डितम् ।

पताकापञ्चभिर्व्याप्तं द्युविमानमिवोत्तमम् ॥ ५ ॥

चक्रभित्तिपरिप्रोतप्रकचत्काञ्चनाङ्कुरम् ।

मुक्ताजालरणत्कारचारुविक्रमकूबरम् ॥ ६ ॥

सुग्रीवैर्लक्षणोपेतैः प्रशस्तैः प्रचलैः कृशैः।

जवोड्डयनवेगेन प्रवहद्भिः सुरानिव ॥ ७ ॥

वायुं जवेन सहसा असहद्भिर्गतिक्रमैः।

प्रोह्यद्भिरिव पश्चार्धमापिबद्भिरिवाम्बरम् ॥ ८॥

योजितैरिव संपूर्णैश्चन्द्रैश्चामरदीप्तिभिः ।

अश्वैरष्टभिराबद्धमाशापूरकहेषितैः ॥ ९ ॥

अथोदपतदुद्दामनागाभ्ररवनिर्भरः ।

शैलभित्तिप्रतिध्वानदारुणो दुन्दुभिध्वनिः ॥ १० ॥

मत्तसैनिकनिर्मुक्तैर्व्याप्तं कलकलारवैः।

किंकिणीजालनिर्ध्वानैर्हेतिसंघट्टघट्टितैः ॥ ११ ॥

धनुश्चटचटाशब्दैः शरसीत्कारगायनैः ।

परस्पराङ्गनिष्पिष्टकवचौघझणज्झणैः ॥ १२ ॥

ज्वलदग्निटणत्कारैरार्तिमत्क्रन्दनारवैः ।

परस्परभटाह्वानैर्बन्दिविक्षुब्धरोदनैः ॥ १३ ॥

शिलाघनीकृताशेषब्रह्माण्डकुहरो ध्वनिः ।

हस्तग्राह्योऽभवद्भीमो दशाशाकुञ्जपूरकः ॥ १४ ॥

अथोदपतदादित्यपथपीवररोधकम्।

रजोनिभेन भूपीठमम्बरोड्डयनोन्मुखम् ॥ १५ ॥

Sriram said: 

2.46.1

> While the women were talking like this inside the tent, what did the angry Viduratha do after leaving the house?

Maharishi Vasishta said: 

3.46.2–9

> Viduratha left his residence, surrounded by a large retinue, like the moon encircled by a mass of stars.

> His body fully armored, adorned with necklaces and jewels stuck to him, he emerged like Indra, the king of gods, amid loud cries of victory.

> He ordered his troops, listened to reports about the enemy's positions, observed his warriors, and then climbed onto his chariot.

> The chariot had a peaked shape, decorated with pearls and gems, covered by five flags, resembling a superb heavenly vehicle.

> Its walls were fitted with shining golden spikes, its yoke poles beautiful with the tinkling sound of pearl nets.

> It was yoked to excellent, swift, lean horses with good marks, moving with the speed of flight, carrying the gods as if.

> They rushed forward with such speed that they seemed to outpace the wind, dragging the rear part as if drinking up the sky.

> It was harnessed to eight horses, fully equipped, shining like moons with their white tails and manes, neighing to fill all directions.

3.46.10–15 

> Then arose a terrible sound of war drums, fierce like the roar of wild elephants and clouds, echoing off mountain walls.

> The air was filled with the clamor of excited soldiers, the jingling of small bells, and the clashing sounds of weapons striking each other.

> There were the snapping sounds of bows, the whistling of arrows, the jingling of armor crushed against one another.

> Crackling noises of blazing fires, cries of pain, mutual calls of warriors, and the agitated weeping of bards.

> The sound became so intense that it seemed to fill the entire cavity of the Universe, a terrifying roar spreading through the ten directions.

> Then rose a thick cloud of dust, like earth itself rising upward, blocking the path of the sun and covering the ground as it flew into the sky.

Summary of the Teachings:

The scene depicts Viduratha's furious departure from his camp to wage war, after a Divine intervention and conversation among women, including Goddesses and queens. The vivid description highlights the transient and illusory nature of worldly power, glory, and conflict.  

The king's grand exit, with his majestic chariot, armored body, victorious shouts, and massive army, symbolizes the ego's pomp and the mind's attachment to external strength and victory. Everything appears magnificent and invincible, yet it is all built on impermanence. The horses racing as if devouring the sky and the dust rising like the earth itself ascending illustrate how worldly pursuits create chaos and obscure true vision, much like dust clouds the sun.  

The overwhelming noise—from drums, weapons, cries, and armor—represents the constant turmoil and agitation of the mind caught in desire, anger, and battle. This cacophony fills all directions, showing how delusion spreads everywhere when one is driven by rajasic (passionate) impulses. In the Yoga Vasishta's philosophy, such scenes demonstrate that what seems real and powerful in the world is merely a projection of the mind, like a dream or mirage.  

The teaching subtly contrasts this display of royal might with the Higher Truth revealed in surrounding chapters: the world and its conflicts arise from ignorance of the Self. Viduratha's rage and march to war stem from attachment to his queen and kingdom, but the story ultimately points to Realization that all forms, relationships, and battles are appearances within Consciousness. True liberation comes from seeing beyond these illusions.  

Overall, these verses serve as a dramatic illustration of samsara (worldly existence)—full of splendor, noise, and motion on the surface, but empty and unreal at the core. They encourage the seeker to turn inward, discriminate between the Eternal Self and transient phenomena, and recognize that even the grandest worldly drama is a play of maya, leading to peace through Knowledge and detachment.

Chapter 3.45, Verses 12–22

Yoga Vashishtha 3.45.12–22

(These verses emphasize the absolute self-responsibility of the individual soul (jiva) in shaping its experiences and destiny)

श्रीदेव्युवाच ।

न किंचित्कस्यचिदहं करोमि वरवर्णिनि।

सर्व संपादयत्याशु स्वयं जीवः स्वमीहितम् ॥ १२ ॥

अहं हितं रटे ज्ञप्तिः संविन्मात्राधिदेवता ।

प्रत्येकमस्ति चिच्छक्तिर्जीवशक्तिस्वरूपिणी ॥ १३॥

जीवस्योदेति या शक्तिर्यस्य यस्य यथा यथा ।

भाति तत्फलदा नित्यं तस्य तस्य तथा तथा ॥ १४ ॥

मां समाराधयन्त्यास्तु जीवशक्तिस्तवोदिता ।

तदा भवद्यदीह स्यां मुक्तास्मीति चिरं तदा ॥ १५ ॥

तेन तेन प्रकारेण त्वं मया संप्रबोधिता।

तया युक्त्यामलं भावं नीतासि वरवर्णिनि ॥ १६ ॥

अनयैव भावनया बोधितासि चिरं तदा।

तमेवाऽर्थं प्राप्तवती सदा स्वचितिशक्तितः ॥ १७ ॥

यस्य यस्य यथोदेति स्वचित्प्रयतनं चिरम् ।

फलं ददाति कालेन तस्य तस्य तथा तथा ॥ १८ ॥

तपो वा देवता वापि भूत्वा स्यैव चिदन्यथा ।

फलं ददात्यथ स्वैरं नभःफलनिपातवत् ॥ १९ ॥

स्वसंविद्यतनादन्यन्न किंचिच्च कदाचन।

फलं ददाति तेनाशु यथेच्छसि तथा कुरु ॥ २० ॥

चिद्भाव एव ननु सर्गगतोऽन्तरात्मा।

यच्चेतति प्रयतते च तदैति तच्छ्रीः ॥ २१॥

रम्यं ह्यरम्यमथवेति विचारयस्व ।

यत्पावनं तदवबुध्य तदन्तरास्स्व ॥ २२॥

Goddess Saraswati said:

3.45.12–14

> I do not do anything for anyone, O beautiful one. The individual soul (jiva) itself quickly brings about whatever it desires on its own.

> I am Pure Awareness (jnpti), the Supreme Consciousness (samvit), the presiding deity. In each Being exists a power of Consciousness (chit-shakti), which is the form of the jiva's power.

> Whatever power arises in which jiva, and in whatever way it manifests for each one, it always gives the corresponding fruit exactly in that manner.

3.34.15–17

> When a jiva worships me with devotion, its own power awakens. Then, if it Realizes "I am liberated here and now," it remains free forever.

> In various ways I have awakened you through this teaching. By this pure reasoning, O beautiful one, you have been led to a clear state of understanding.

> Through this very contemplation and attitude, you have been awakened for a long time. You have attained that Truth always from your own inner Consciousness-power.

3.45.18–22 

> Whatever intention or effort arises in one's own Consciousness over a long time, in due course it gives the fruit exactly in accordance with that.

> Whether through austerity (tapas), or by becoming a deity, or in some other form of Consciousness — it gives the fruit freely, like fruit falling from the sky.

> There is nothing other than one's own Pure Consciousness that ever gives any fruit. Therefore, quickly do as you wish.

> Consciousness itself is the Inner Self present in Creation. Whatever one thinks and strives for, that very thing comes as prosperity or fortune.

> Consider what is pleasing or unpleasant. Understand what is truly purifying and holy, and abide in that inwardly.

Summary of the Teachings:

Nothing external performs actions for anyone; the jiva itself, through its own desires and efforts, swiftly manifests what it seeks. This teaching removes any notion of an outside agent controlling life and places full power in the hands of one's Inner Consciousness, urging recognition that results stem directly from personal volition.

The Goddess identifies herself as Pure Awareness and Supreme Consciousness, present as the inherent power (chit-shakti) within every Being. This power is not separate but the very nature of the jiva's energy. Each person's unique manifestation of this power produces corresponding outcomes — the law of cause and effect operates precisely through one's own Consciousness, without exception or external intervention.

Worship or devotion to this Supreme Awareness awakens the dormant jiva-power. When the individual Realizes liberation as an immediate Truth ("I am free here"), permanent freedom follows. The verses highlight that teachings and reason serve to clarify this inner reality, guiding the seeker to a pure understanding where the mind rests in clarity.

Through sustained contemplation, effort, or attitude directed toward Truth, one attains Realization from one's own Consciousness. 

Whatever persistent intention or striving one holds in awareness bears fruit in time, exactly matching its nature. This underscores the importance of persistent, pure focus — results are inevitable reflections of inner direction, whether through practices like austerity or identification with higher forms.

Ultimately, no external force grants results; everything arises from and returns to one's own Consciousness. One is free to act as desired, but wisdom lies in discerning the purifying and holy from the pleasant or unpleasant. By inwardly abiding in what is truly elevating and understanding the Inner Self as the Source of all fortune, one aligns with Eternal Truth and transcends illusion.

Chapter 3.45, Verses 1–11

Yoga Vashishtha 3.45.1–11

(The verses from Yoga Vasistha 3.45 illustrate the profound interplay between devotion, desire, and the illusory nature of reality through the narrative of Lila's dual existences)

श्रीसरस्वत्युवाच ।

विदूरथस्ते भर्तैष तनुं त्यक्त्वा रणाङ्गणे ।

तदेवान्तःपुरं प्राप्य तादृगात्मा भविष्यति ॥ १ ॥

श्रीवसिष्ठ उवाच ।

इत्याकर्ण्य वचो देव्या लीला सा तत्पुरास्पदा ।

पुरः प्रह्वा स्थितोवाच वचनं विहिताञ्जलिः ॥ २ ॥

द्वितीयलीलोवाच ।

देवी भगवती ज्ञप्तिर्नित्यमेवार्चिता मया ।

स्वप्ने संदर्शनं देवी सा ददाति निशासु मे ॥ ३ ॥

सा यादृश्येव देवेशि तादृश्येव त्वमम्बिके ।

तन्मे कृपणकारुण्याद्वरं देहि वरानने ॥ ४ ॥

श्रीवसिष्ठ उवाच ।

इत्युक्ता सा तदा ज्ञप्तिः स्मृत्वा तद्भक्तिभावनम् ।

इदं प्रसन्ना प्रोवाच तां लीलां तत्पुरास्पदाम् ॥ ५ ॥

श्रीदेव्युवाच ।

अनन्यया भावनया यावज्जीवमजीर्णया ।

परितुष्टास्मि ते वत्से गृहाणाभिमतं वरम् ॥ ६ ॥

तद्देशलीलोवाच ।

रणाद्देहं परित्यज्य यत्र तिष्ठति मे पतिः।

अनेनैव शरीरेण तत्र स्यामेतदङ्गना ॥ ७ ॥

श्रीदेव्युवाच ।

एवमस्तु त्वयाऽविघ्नं पूजितास्मि सुते चिरम् ।

अनन्यभावया भूरि पुष्पधूपसपर्यया ॥ ८ ॥

श्रीवसिष्ठ उवाच ।

अथ तद्देशलीलायां फुल्लायां तद्वरोदयात् ।

पूर्वलीलाब्रवीद्देवीं संदेहलुलिताशया ॥ ९ ॥

पूर्वलीलोवाच ।

ये सत्यकामाः सन्त्येवंसंकल्पा ब्रह्मरूपिणः ।

त्वादृशाः सर्वमेवाशु तेषां सिद्ध्यत्यभीप्सितम् ॥ १० ॥

तत्तेनैव शरीरेण किमर्थं नाहमीश्वरि।

लोकान्तरमिदं नीता तं गिरिग्रामकं वद ॥ ११ ॥

Goddess Sarasvati said: 

3.45.1

> Your husband Viduratha has abandoned his physical body on the battlefield. He has reached that very inner chamber, and there he will exist in that pure state of soul.

Maharishi Vasistha said: 

3.45.2

> Hearing these words from the Goddess, that Lila, who resided in the city, stood humbly before her with folded hands and spoke as follows.

The second Lila said: 

3.45.3–4

> O Goddess, the Divine Jnapti has been constantly worshipped by me. She grants me her vision in my dreams every night.

> She appears just like you, O supreme goddess, and you resemble her exactly, O mother. Out of compassion for this wretched soul, please grant me a boon, O fair-faced one.

Maharishi Vasistha said: 

3.45.5

> Thus addressed, Jnapti then recalled her devotion and, feeling pleased, spoke these words to that Lila, the resident of the city.

Goddess Saraswati said: 

3.45.6

> With unwavering and exclusive devotion that lasts your entire life, I am fully satisfied with you, my child. Now receive the boon you desire.

Lila of that realm said:

3.45.7 

> Wherever my husband abides after forsaking his body in battle, may I go there with this very physical form, O noble lady.

Goddess Saraswati said: 

3.45.8

> So be it. You have worshipped me without interruption for a long time, my child, with abundant flowers, incense, and service born of undivided devotion.

Maharishi Vasistha said: 

3.45.9

> Then, as that Lila of the realm blossomed with joy at the fulfillment of her boon, the earlier Lila addressed the Goddess, her mind wavering with doubt.

The earlier Lila said: 

3.45.10

> Those who harbor true desires and contemplate the form of Brahm like you— for such pure souls, all wishes are swiftly accomplished.

> Then why, O Goddess, could not I reach that other world—the mountain village—with that very body? Please explain this to me.

Summary of the Teachings:

In this segment, Sarasvati, the Goddess of Wisdom, consoles the grieving Lila by revealing that her husband Viduratha's soul has transcended the physical battlefield to reside in a higher, inner realm of Pure Consciousness. This teaching underscores the impermanence of the body and the eternity of the Self, emphasizing that true union with loved ones occurs not through material means but via Spiritual Realization. Devotion acts as a bridge, allowing the devotee to pierce the veil of illusion (maya) and access subtler planes of existence, where the soul remains unbound by death.

Central to these verses is the power of unwavering bhakti (devotion) as a transformative force. The second Lila, a devoted worshipper of the Goddess Jnapti (a manifestation of Divine Knowledge), receives her boon instantly due to her exclusive and lifelong dedication, free from doubt or division. This contrasts with ordinary desires tainted by ego, highlighting that pure, selfless worship aligns the mind with divine will, making the impossible possible—such as transporting one's physical form to another realm. The narrative teaches that devotion purifies the mind, turning it into a vessel for miracles, and that the Goddess's pleasure stems not from rituals alone but from the sincerity of an undivided heart, echoing Advaita Vedanta's principle that the Divine resides within Pure Intent.

The dialogue between the two Lilas—one from the royal realm and the other from the Brahmin's mountain village—exposes the relativity of experience within the dream-like fabric of creation. The earlier Lila's doubt arises from her partial success: she traversed realms but not with her gross body, prompting her to question why her desires did not manifest as seamlessly as the second Lila's. This reveals the teaching on the hierarchy of desires: those rooted in sattvic (pure) contemplation of Brahm succeed effortlessly, as the mind, attuned to the infinite, shapes reality without friction. Impure or ego-driven wishes falter, bound by the grossness of matter, illustrating how one's mental purity determines the fulfillment of sankalpa (resolve).

These verses delve into the non-dual essence of existence, where all realms, bodies, and boons are projections of Consciousness. Viduratha's transition and the Lilas' journeys symbolize the soul's freedom to navigate lokas (worlds) through subtle forms, yet the persistence of doubt shows how ignorance clings to the apparent separation of Self and other. The Goddess's affirmation of the boon affirms that Grace flows to those who surrender ego, merging individual will with Cosmic order. This teaches equanimity in loss and gain, as true liberation lies in recognizing that death is mere relocation within the one boundless awareness, free from the chains of form.

Finally, the chapter's wisdom culminates in the call to emulate the "true desirer" who, like the Goddess, embodies Brahm. Such Beings accomplish all through effortless sankalpa because their minds are unclouded mirrors of the Absolute, where intention and manifestation are one. The unfulfilled aspect of the first Lila's journey serves as a reminder to cultivate unswerving faith and Knowledge, warning against the pitfalls of incomplete understanding. Ultimately, these teachings urge the seeker to transcend dualities of success and failure, body and spirit, by rooting desires in Self-Realization, leading to the dissolution of all apparent separations in the ocean of Pure Consciousness.

Chapter 3.44, Verses 41–52

Yoga Vashishtha 3.44.41–52

(These verses, spoken by the Goddess Saraswati, via Maharishi Vashishta to Sriram, emphasize the non-dual nature of Reality)

श्रीदेव्युवाच ।

रिक्तं न विश्वशब्दार्थैरनन्यद्ब्रह्मणि स्थितम् ।

न तत्सत्यं न चासत्यं रज्जुसर्पभ्रमो यथा ॥ ४१ ॥

मिथ्यानुभूतितः सत्यमसत्यं सत्परीक्षितम् ।

परमं कारणं चित्त्वाज्जीवत्वमिति चेत्यलम् ॥ ४२ ॥

ततस्तथैवानुभवाज्जीवत्वं विन्दति स्फुटम् ।

सत्यं भवत्वसत्यं वा खे विभातमिदं जगत् ॥ ४३ ॥

रञ्जयत्येव जीवाणुः स्वेच्छाभिरनुभूतिभिः ।

अनुभूयन्तु एवाशु काश्चित्पूर्वानुभूतितः ॥ ४४ ॥

अपूवानुभवाः काश्चित्समाश्चैवासमास्तथा ।

क्वचित्कदाचित्ता एव क्वचिदर्धसमा अपि ॥ ४५ ॥

कचन्त्यसत्याः सत्याभा जीवाकाशेऽनुभूतयः ।

तत्कुलास्तत्समाचारास्तज्जन्मानस्तदीहिताः ॥ ४६ ॥

त एव मन्त्रिणः पौराः प्रतिभाने भवन्ति च ।

ते चैवात्मन्यलं सत्या देशकालेहितैः समाः ॥ ४७ ॥

सर्वगात्मस्वरूपायाः प्रतिभाया इति स्थितिः ।

यथा राजात्मनि व्योम्नि प्रतिभोदेति सन्मयी ॥ ४८ ॥

तथा तदग्रगोदेति सत्येव प्रतिभाम्बरे ।

त्वच्छीला त्वत्समाचारा त्वत्कुला त्वद्वपुर्मयी ॥ ४९ ॥

इति लीलेयमाभाति प्रतिभाप्रतिबिम्बजा ।

सर्वगे संविदादर्शे प्रतिभा प्रतिबिम्बति ॥ ५० ॥

यादृशी यत्र सा तत्र तथोदेति निरन्तरम्।

जीवाकाशस्य यान्तस्था प्रतिभा कुरुते स्वयम् ।

सा बहिश्च चिदादर्शे प्रतिबिम्बादियं स्थिता ॥ ५१ ॥

एषा त्वमम्बरमहं भुवनं धरा च राजेति सर्वमहमेव विभातमात्रम् ।

चिद्व्योमबिल्वजठरं विदुरङ्ग विद्धि त्वं तेन शान्तमलमास्स्व यथास्थितेह ॥ ५२ ॥

The Goddess said:

3.44.41–46

> The world is empty of the meanings and words of the Universe; nothing else exists besides Brahm. It is neither Real nor unreal, just like the illusion of a snake in a rope.

> From false experience comes the notion of Reality; what is examined as True is unreal. The Supreme Cause is Consciousness itself, so the State of being a jiva (individual soul) is enough (to understand as illusion).

> Then, from such experience itself, the jiva clearly finds its individuality. Whether this world appearing in Space is Real or unreal, let it be so.

> The subtle jiva (particle of life) delights itself with experiences according to its own will. Let some experiences arise quickly from previous ones.

> Some new experiences, some equal, some unequal; sometimes they appear fully, sometimes half-equal in certain places and times.

> Unreal experiences shine as if real in the space of the jiva. They have their own families, customs, births, and actions.

3.44.47–52

> They become ministers, citizens in the imagination; they are truly within the Self, equal in place, time, and actions.

> This is the state of the reflection (pratibha) of the all-pervading Self-nature. Just as a king's reflection arises in his own mind-sky as real.

> Similarly, it arises foremost as truly Real in the sky of reflection. Your nature, your conduct, your family, your body—all this is in you.

> Thus this Lila appears as born from the reflection and its image. In the all-pervading mirror of Consciousness, the reflection mirrors itself.

> Whatever kind it is in a place, it arises there continuously. The reflection established in the jiva-space creates itself. It exists outside too in the mirror of Consciousness through reflection.

> This is you, the sky is I, the worlds are the earth and king—everything shines as I alone, mere appearance. Know this as the belly-cave of the Space of Consciousness, O brave one; be peaceful and rest as you are in this state.

Summary of the Teachings:

The world and all experiences lack independent existence apart from Brahm, the Ultimate Consciousness. Like the classic rope-snake illusion, the Universe appears real due to misperception but has no substance beyond Brahm. Nothing is truly "other" than the Absolute, rendering distinctions between Real and unreal irrelevant at the highest level.

The individual soul (jiva) arises from mistaken identification with limited experiences. What seems Real stems from illusory perceptions, and the root cause is Pure Consciousness (chit). The jiva's sense of individuality is a superimposition, not an inherent Truth. Once this is Realized through inquiry, the notion of a separate Self dissolves.

Experiences, whether old or new, pleasant or varied, manifest according to the jiva's own desires and past impressions (vasanas) in the "Space" of the mind. These appear vivid and structured—with families, societies, actions—but remain projections, shining falsely as Real within the Inner Awareness of the jiva.

The key concept here is "pratibha" (imagination or reflective appearance), which arises within the Infinite Consciousness like reflections in a mirror. The Goddess describes how Lila (the play of the world, personified) manifests as a reflection born from this universal mirror of Consciousness. All forms, conducts, and identities are projections of this one Self, appearing diverse yet non-different from it.

Ultimately, the teaching culminates in Realizing everything as the Self alone: "I" am all—sky, earth, beings, worlds. The Universe is mere appearance (vibhata-matra) within the "cave" or expanse of Consciousness. The instruction is to abide peacefully in this understanding, resting in one's True Nature without disturbance, transcending illusions of separation.