Yoga Vashishtha 3.78.10–21
(These verses vividly describe a terrifying cosmic female form, full of darkness, power, and destructive energy, appearing before two brave warriors)
राजोवाच।
ततो ददृशतुस्तां तौ शब्दपूरितदिग्गणाम्।
साट्टहासप्रभापिण्डपूरप्रकटिताकृतिम् ॥ १०॥
कल्पाभ्राशनिकाषेण घृष्टामद्रितटीमिव।
स्वनेत्रविद्युद्वलयबलाकोज्ज्वलिताम्बराम् ॥ ११॥
तिमिरैकार्णवौर्वाग्निज्वालाविवलनामिव।
गर्जद्धनघटाटोपपीवरासितकन्धराम् ॥ १२॥
रणद्दशनसरम्भहाहाहतनिशाचराम्।
रोदसीकज्जलस्तम्भां लीलयोल्लसितां पुनः ॥ १३॥
ऊर्ध्वकेशीं शिरालाङ्गीं कपिलाक्षीं तमोमयीम्।
यक्षरक्षःपिशाचानामप्यनर्थभयप्रदाम् ॥ १४॥
देहरन्ध्रविशच्छ्वासवातभांकारभीषणाम्।
मुसलोलूखलालातहलशूर्पकशेखराम् ॥ १५॥
स्फुरन्तीमिव कल्पान्ते वैदूर्यशिखरस्थलीम्।
हासघट्टितविश्वेशां कालरात्रिमिवोदिताम् ॥ १६॥
शरद्व्योमाटवीं साभ्रां कृतदेहामिवागताम्।
शरीरिणीं महाभ्राढ्यां यामिनीमिव मांसलाम् ॥ १७॥
शरीरसंनिवेशेन पङ्कपीठमिवोत्थिताम्।
तनुं चन्द्रार्कयुद्धाय तमसेव समाश्रिताम् ॥ १८॥
इन्द्रनीलमहाशुभ्रलम्बाभ्रयुगलोपमौ।
उलूखलादिहारौघौ दधानामसितौ स्तनौ ॥ १९॥
लग्नामङ्गारकाष्ठेन समानां च महातनुम्।
द्रुमाभास्पन्दसशिरलसद्भुजलतातनुम् ॥ २०॥
तामवेक्ष्य महावीरौ तथैवाक्षुभितौ स्थितौ।
न तदस्ति विमोहाय यद्विविक्तस्य चेतसः ॥ २१॥
The King continued:
3.78.10–15
> Then the two great warriors saw her, filling all directions with sound, her form revealed by the mass of light from her loud laughter.
> She looked like a mountain slope rubbed by the lightning of the end of the world clouds. The sky around her shone with the circle of lightning from her eyes, like flocks of cranes.
> She was like the ocean of darkness turning with the flames of the submarine fire. Her thick dark neck roared with the clamor of gathering storm clouds.
> Her teeth clashed fiercely with cries of "ha ha" that struck the night Beings. She was like a pillar of darkness in the sky, playfully rising up again.
> She had hair standing upwards, a lean body, reddish-brown eyes, and was full of darkness. She brought misfortune and fear even to yakshas, rakshasas, and pishachas.
> Her breath coming out through the openings of her body created terrifying roaring winds. She wore on her head mortar, pestle, firebrands, ploughs, and winnowing fans.
3.78.16–21
> She sparkled like the ground of a lapis lazuli peak at the end of the World cycle. With her laughter she shook the lord of the Universe, appearing like the risen night of Time (Kalaratri).
> She seemed to have taken a bodily form as a cloudy autumn sky forest. She was like a fleshy night, rich with great clouds, having a body.
> She rose like mud from a lotus seat with the arrangement of her body. Her form was supported by darkness for the battle between the moon and the Sun.
> She held two dark breasts like a pair of long hanging clouds, dark blue and very white, along with a collection of pestles and other things as garlands.
> Her huge body was like one smeared with charcoal powder. Her arms were like moving creeper branches on trees, with shoulders and trembling parts.
> Seeing her, the two great heroes remained unmoved in the same way. There is nothing that can delude the mind of one who is detached.
Summary of the Teachings:
This figure represents the fearsome aspect of nature or time, filled with chaotic elements like storms, darkness, and weapons of destruction. The detailed imagery shows how the mind can create or perceive overwhelming scenes of terror. Yet the warriors stay calm, teaching that true inner strength comes from detachment. Even the most horrifying visions lose power when the mind is steady and free from fear.
The form is compared to end-of-world events, with lightning, clouds, and roaring sounds. This symbolizes the impermanent and illusory nature of the World, where creation and destruction dance together. The dark, fearful appearance frightens even supernatural beings, highlighting how ego and ignorance make us fear change and death. The teachings point to seeing beyond surface appearances to the underlying Reality. Fear arises only when we identify with the body and limited Self.
Her body adorned with ordinary tools turned into weapons and her playful yet destructive presence show that the Divine or cosmic force uses everyday elements for its play. This encourages viewing all experiences, good or bad, as part of a larger cosmic game. The warriors' lack of disturbance illustrates the power of a purified mind. Yoga Vasistha repeatedly stresses that the World is like a dream, and only a wise, detached person remains unaffected by its illusions.
The contrast between the terrifying form and the calm heroes teaches equanimity. No external event, however dreadful, can shake one whose mind rests in Self-Awareness. This detachment is the key to liberation. The verses use powerful poetry to train the reader to face inner and outer challenges without getting lost in them. They remind us that true courage is mental peace amid chaos.
Overall, these verses form part of the larger teaching on the mind's creative power and the path to transcendence. By describing an extreme scene of fear and then showing the heroes' unshaken state, the text guides seekers to cultivate viveka (discrimination) and vairagya (dispassion). This leads to Realizing the Self beyond all dualities of light and dark, creation and destruction.